A Fantastical Escape from the Real World
Pan’s Labyrinth is not your average fairy-tale. Mexican Writer/Director Guillermo del Toro has thrown action, horror, and fantasy all in one ingenious motion picture. His expertise in the fantasy genre makes the fairy-tale seem more real than it actually is, and very believable as well. Don’t let the star, an 11-year-old girl, fool you; this “real-life fairy-tale” of a movie is not meant for the eyes of children, with its excess violence and brutality. It is definitely aimed at adults who enjoy an action packed film with a touch of magic.
In 1944 fascist Spain, a young girl named Ofelia (Ivana Baquero) who is fascinated with fairy-tales, goes to live with her new stepfather, along with her pregnant mother (Ariadna Gil). It soon becomes apparent that her stepfather (Sergi López i Ayats), who is the captain of the Spanish Army is ruthless and utterly emotionless. The same night of her arrival, Ofelia meets a fairy who she follows into an old labyrinth on the grounds. In the center of this labyrinth she encounters an old faun (Pablo Adán) who tells her that she is a princess. He also tells her that in order to fulfill her princess destiny she must prove her royalty by completing three difficult tasks. Struggling with problems with her pregnant mother and evil stepfather, the girl deals with the harsh realities of the world while desperately trying to complete her three tasks on time.
Ofelia’s newfound world in the labyrinth may be a temporary escape from the commotion of the war and her family, but don’t be mistaken; her fairy-tale world is just as dark and gruesome as the real world. The only difference is that the new one has more to offer to a little 11-year-old girl. Who doesn’t want to be a princess when they are eleven? Ofelia, played by Ivana Baquero, does an adequate job acting out the part of Ofelia. She is innocent, as an 11-year-old should be, and she displays that curious quality which is so important to her character. At times, however, Ofelia is a bit boring and unresponsive to everything that is going on around her. Her stepfather and also the captain played by Sergi López i Ayats, does an excellent job acting out the temperamental and violent fascist leader that the captain needs to be. The superior casting makes Pan’s Labyrinth everything that Del Toro wanted it to be. He says, “It's the movie I've done that I like the most, that most resembles the things I thought I would do when I began directing." All the thought and planning he put into the film shows in the well put together plot, which flows from one scene to another. The audience is kept curious and intrigued with the characters and ideas that Del Toro obviously put extensive thought and care into.
This movie is full of amazingly crafted visuals, thanks to Cinematographer Guillermo Navarro. It has everything from mythical creatures such as fairy’s and a gigantic human-sized frog, to the ancient labyrinth that holds the portal to the magic kingdom. The labyrinth seems to come to life for Ofelia, giving life and reality to her adventures. Consequently, her fairy-tail becomes so believable; the mythical world in which Ofelia throws herself is just as bleak and dangerous as the real world she is trying so desperately to escape.
As an “adult fairy-tale”, Pan’s Labyrinth is made to terrify and satisfy viewers. As a regular fairy-tale, it is imperative that Ofelia make the right choice at the end. As a real life movie however, not everything works out perfectly in the end. The movie has a satisfactory ending leaving the viewer open to decide whether this fantasy world that Ofelia had been living was true or simply a young girl’s immature escape from reality. Out of five, I rate this movie with four golden keys!